The comparisons with notorious American photographer Terry Richardson are inevitable. The bright flash photography, the disrobed models, the stark sets, the nudity, the pop colours, the photographer and subject intermingling on the image, the eroticism, the … did I mention nudity?
However, there’s a clear distinction between Richardson and Nicoline Aagesen. Consent. Eagerness. Aagesen makes every model and muse who enters her studio – for which read apartment – feel as if they’re the most gorgeous, sexy and desirable being on the planet, so they willingly shed their inhibitions and wardrobe.
As Aagesen herself is so relaxed about her own body, she empowers her subjects with their own curves and contours. She sees beauty when many find shame, she looks at a flaw and finds it fabulous. Words of encouragement, her toothy smile, her constant movement, the music … her shoots are a party that’s in constant motion, interspersed with light and laughter.
She’s not just doing it for kicks and giggles. A former dancer and model who transitioned to photography, Aagesen has exhibited around the world and her work is widely featured in magazines and campaigns for major brands.
Tell me about your first professional assignment as a photographer?
I was pretty surprised myself, but it went really well – this was years ago. Of course, I was running around like a headless chicken, but fake it till you make it! But note to self: always remember your SD cards and charge your batteries.
When did you know you wanted to pursue photography full time?
When you know, you know. It was a very organic transition from modelling to photography.
What did you study when you were growing up? Does it inform your life/career now?
I moved to New York when I was 18 for my dance education at Broadway Dance Centre. I love bodies and curves – and standing for hours in front of the mirror as a ballerina teaches you lots about the movement of the human body. So dancing definitely inspired my vision of what possibilities the body allows you. In its own way, dance informed how I direct my pictures.
What are the challenges facing female photographers in Hong Kong and Asia?
Being a female photographer hasn’t challenged me yet. Perhaps being Scandinavian and being raised to be equal has its benefits.
Why are there so few women behind the camera?
I never really thought about that, since my all-time favourite photographers are all female … and actually, I know many fantastic women photographers. Maybe you weren’t looking hard enough!
Which women photographers inspire you?
Ellen von Unwerth – her work is pure magic. I’m also addicted to Nadia Lee Cohen’s universe and lady-lovin’ Brooke Olimpieri.
What’s the most sexist thing you’ve heard on set?
I think I’m immune to sexist comments. I aim to treat all people equally and with respect, so obviously I expect the same treatment back. Good karma’s contagious.
What’s the best part of your job? And the worst?
The best part is the freedom and travelling. The worst part: carrying equipment!
You also style your shoots …
Well, it’s pretty easy to do the styling when your models are naked!
What’s your advice for young women trying to break into the business or study photography?
Find a mentor, study hard and dare to be different.
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