Celebrity Life

After a long break, the Oscar winner returns with the ferocious satire Don’t Look Up, and talks to V.F. about love, fame, and boundaries.

The Reitman father-son duo wins over audiences, if not critics, with a nostalgia-rich picture.

A dialogue coach who worked on the film said Gaga sounded more Russian than Italian—but Gucci director Scott thinks it was “absolutely perfect.”

The Williams family cooperated with Will Smith and King Richard’s filmmakers to make sure they got the story right—even if it meant addressing some hard truths.

With Ghostbusters: Afterlife hitting theaters, a look at some intimate backstage moments from the 1980s originals.

The superstar has had a long, winding history at the Oscars, but this season might finally see her bring home a statuette.

Band members and the group’s management will reportedly participate in the project, and will allow it to use Grateful Dead music.

“If you take away the narrow, white-male-centric stories we were given, then that means you have a whole universe of stories with women of actual dominance, with people of color, all races,” Samuel tells the Little Gold Men podcast. “Basically, you have a genre where 90% of it is unexplored.”

As the film’s first trailer premieres, Lopez and Marry Me director Kat Coiro discuss the film, its music, and its very meta story line.

Despite top billing and placement on the sequel’s poster alongside Maguire, Dunst indicates there was a sizable pay disparity between her and her costar.

The star of Adam McKay’s starry satire spills secrets about meeting Ariana Grande and improving alongside Jonah Hill.

A trailer for the highly-anticipated sequel takes the Crawleys out of the U.K. and sends them on a very French holiday.