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Sham Yuet: Young, Mild and Free

Sham Yuet on the Prestige cover

The offspring of the rich and famous don't tend to have the best reputations. But not Sham Yuet, who's more your girl-next-door, studying hard and spending time with family. In our cover story this March, she opens up about life in the limelight, her supportive parents, career aspirations and doing what she does best — being her cheerful self.

In the public eye, Sham has lived a pretty glamorous, if slightly sheltered life. The eldest daughter of one of Hong Kong’s most well-known and powerful couples – Chingmy Yau, ’90s screen siren and the most sought-after actress of the decade, and fashion mogul Sham Kar-Wai – the 19-year-old is the spitting image of her mother and stepping out on her own. She made her grand entrance at the 2019 Le Bal Les Débutantes, the annual, by-invitation-only event in Paris that launches 20 of the world’s most promising and prestigious young women into high society. Earlier that year she walked her first runway show in London, wearing Bapy for Izzue under I.T. Group. It’s little wonder that all eyes are on Sham.

Sham is good-natured and endearing, and though she appears reserved at first and is a self-proclaimed introvert, she’s quick to warm up, opening up beatifically about her struggles and her career aspirations with an amiable smile. And despite her famous parents, the glamorous parties she’s attended and the runways she’s walked, when she arrives she tells me – chuckling a little sheepishly – that she’s nervous about the interview.

Sham Yuet
Outfit by Ralph Lauren, jewellery from the Fred Pretty Woman high jewellery collection

“Walking the runway was nerve-wracking, to be honest,” she says of the experience. “We only got one practice and I’ve never done this before. I’ll tell you a funny story. The first time I did the practice I was walking sideways. I wasn’t walking in a straight line. So, the lady was like, ‘OK, I’ll give you a tip. Just look at the ceiling. There’s a straight line on the ceiling.’ So, when I did the walk the second time – the official time – that’s what I did.

“If you look at the pictures, I’m like this,” she says, with her eyes rolled up and her lips ajar. “People were saying, ‘Oh my God, I love your expression. You look so blank.’ To be honest, I was just so focussed on following the line.”

Sham Yuet
Sham Yuet wears Ralph Lauren and Fred Pretty Woman high jewellery collection

The Le Bal experience, on the other hand, was a lot of fun. “I was so happy to meet different girls from all over the world. I made a lot of new friends and we actually still keep in touch, which I think is amazing. I wore haute couture for the first time and the dress was beautiful,” she says.

“At the ball, we helped charities and raised money for the Seleni Institute, which focuses on supporting the mental health of teenage mothers, and Enfants d’Asie, which promotes education for girls in Southeast Asia,” she recalls. “I thought it was super important because obviously we’re these 20 girls and we’re all there to help, like girls helping other girls.”

The debutante ball was also where she met a young woman who’s now one of her closest friends, Princess Carolina di Borbone, heiress to the house of Bourbon- Two Sicilies. Both of them have younger sisters, and the pair immediately clicked, exchanging school stories. Princess Carolina and her sister were both home- schooled, and Sham, though educated more traditionally, had a school life that was beyond normal.

https://www.instagram.com/p/B5p5Kf9AWoX/

Paparazzi dogged most of her high-school years so Sham grew up pretty much in the limelight, whether she asked for it or not. “I’d dread the end of school,” she tells me. “Because back in grade school, there’d be paparazzi waiting outside. These random men with big cameras, just waiting for me. That was really annoying. I hated it, like, I just wanted to be a regular kid.”

Her parents got her a bodyguard, but it didn’t help. “That just made me stand out. I had to tell them, ‘You need to stand a bit further away from me, pretend you don’t know me.’ I was bullied a little, to be very honest. The first two years of middle school, I definitely felt that I was different. I had two friends whom I was really close to, and I just stuck with them. But other people would be a bit nasty and say bad things about my family. I actually ended up moving schools.”

Sham is now in her second year of college in Canada, studying Japanese and psychology at the University of British Columbia in Vancouver. She came back last year when her grandfather fell sick and has been stuck in Hong Kong ever since because of the Covid-19 pandemic. It was perhaps a blessing in disguise for Sham, who found online learning to be much more in her comfort zone. “I’m actually quite introverted, but I know some friends really miss the college experience and want to go back,” she says.

Outfit by Ralph Lauren, jewellery from the Fred Pretty Woman fine jewellery collection

“But going to college was actually really scary for me,” she confides. “I’m introverted, so it was hard to make friends, and I didn’t know that people knew me, even there. So it made it harder to make friends. Canada has a huge Asian population, but I didn’t expect people to know me there. So when they did, it made things pretty awkward.”

It was like high school all over again. “There were rumours spreading,” she says. “Or people coming up to me asking to be best friends and then asking me questions about my family. That always made me uncomfortable.”

For Sham is fiercely protective of her family, as they’ve been to her. Her sister is her best friend, and her mother is her best teacher. Busy as both her parents are, her father would always be home for dinner. During our cover shoot with Sham, her mother paid her a surprise visit at the studio, stepping in to make adjustments to her daughter’s hair and make-up every now and then.

“My priority has always been my family,” says Sham, “it always comes first. After my grandpa passed away last year in 2020, I had more of a sense of time, that it’s really special. So now, my priority is spending that time with my family. Before that, I’d say I was a family person, but now, because I realise that time with them is limited, it’s more about spending time with them. I spend more time with my grandma, for example. Or my sister. I know in the future she might have to go back to boarding school in England, so I’m really treasuring this time I’m spending with her.”

Outfit by Ralph Lauren, jewellery from the Fred Pretty Woman fine jewellery collection

Her sisters, Sham Yat and Sham Sing, are 15 and nine respectively. “My youngest sister is really into gaming right now,” Sham says with a little shake of her head. “But my other sister, she’s even more interested in fashion than I am. I think she might be planning to study that. That’s her forte and I’m so impressed by her. She’s so young and she already has so many ideas.

“We raid each other’s closets all the time. It’s like a sister thing,” she continues. “I like styling stuff. I don’t know if I’m good enough to become a designer, but I like putting things together and seeing how everything looks. My sister and I, we talk about fashion all the time. Like, ‘Does this go with this?’ or, ‘What if we add a dash of pink to that?’ I really enjoy doing that with my sister.”

“I don’t know if I’m good enough to become a designer, but I like putting things together and seeing how everything looks. My sister and I, we talk about fashion all the time”

Sham Yuet

Sham won’t say if she’ll become a stylist in the future, though, preferring to keep her options open. She likes fashion, but also has an insatiable curiosity for learning, languages especially. She’s fluent in Korean and is studying Japanese in college. She’s also taking psychology, saying that she wants to find out how the human brain works.

“I picked psychology, because I wanted to learn more about the human brain,” she explains. “I remember this study about babies. They used a good puppet and a bad puppet to act out some scenarios and afterwards they gave the two puppets to the babies to see which one they’d pick, and they picked the good one. So when people have this big debate about whether people are born evil or whether good people turn evil, this experiment showed that people are inherently good. That was interesting for me and it made me want to help children more, because children are our future,” she says.

Outfit by Ralph Lauren, jewellery from the Fred Pretty Woman fine jewellery collection

Sham is not just saying this – she currently sponsors a child in Zambia and hopes to meet him one day. “He writes to me, asking, ‘How are you? How’s the Covid situation? We’re completely fine.’ And he’s really sweet, he says, ‘Thank you for being part of my family.’

“My mom taught me to always give back,” she tells me. “We’ve been taken to a lot of places in the world and I got to see a lot of different things. I’m very grateful for everything that I have and I love giving back. I hope to do more of that when I’m able to myself.”

When she was younger, though, one of her biggest aspirations was to become a performer in Korea. “When I was 13, I was really in love with K-pop – Girls’ Generation, EXO, I was their biggest fan ever. I wanted to go to Korea to learn singing and dancing,” she says. “But then my parents taught me to prioritise education. They said, ‘At least get to university first so you can create different paths for yourself.’ If I’d gone to Korea at 13, then becoming a singer or a dancer would have been the only path that I could take. But if I prioritise education, then I can slowly figure out what I want to do.”

She took her parents’ advice to heart. She hasn’t exactly figured out what she wanted to do with her life yet, but at 19 the possibilities are endless. “I really like singing and dancing, so that’s still a possible career path. And fashion as well – I really like styling my own clothes. I also hope to help children and I like volunteer work. So maybe I want to do something along all those lines,” she muses.

“To be honest, the best career advice I’ve been given is that I’m not just my career, because as a perfectionist, I like to do everything, like I try my best at all times,” she says. “And so, the best advice was actually that my career doesn’t define me. I have other identities as well. I’m a daughter, I’m a granddaughter, I’m a sister and a friend. I’m a student and I’m a learner. I’ve been kind of stressed out about what I should do, but the best advice is just to do you. And remember the other parts of yourself and not to limit yourself.”

For now, there’s no rush to define Sham as anything other than that she is wholly herself, young, carefree, and happy. Her parents have brought her up to embrace herself and try new things and that’s exactly what Sham is setting out to do. She still has some years left in university and that’s what she plans to focus on.

“I really like this quote from Audrey Hepburn,” says Sham, reaffirming the philosophy she lives by. “She’s one of my idols and inspirations. She loved children and she was a style icon, so I really look up to her. She said, ‘Nothing is impossible, the word itself says I’m possible.’

“Oh, and there’s another one: ‘Let your smile change the world, don’t let the world change your smile.’ That’s a good one too.”

Art direction / Sepfry Ng
Photography / Karl Lam
Stylist / Daniel Cheung
Make-up / San Chan
Hair / Winky Wong @ The Attic
All outfits / Ralph Lauren
Jewellery / Fred

The post Sham Yuet: Young, Mild and Free appeared first on Prestige Online - Hong Kong.

Actress Karena Lam on Fame, Family and Living in the Moment

Karena Lam didn't set out to be rich, famous or – what one might assume, given her nearly 20-year career on the big screen – an award-winning actress. A 14-year-old Lam was simply hanging out at her mother’s restaurant in Vancouver when a Taiwanese talent scout handed her a business card and suggested she get in touch.

“I thought it was a hoax,” recalls Lam, the second of four sisters who grew up in the Canadian city. “But that winter break, I went back to Taiwan with my classmates. She’d said to check in with her and then all my classmates were like, ‘Go, go, go!’”

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Lam went, was signed on the spot and one year later released a record with PolyGram. Despite spending almost 10 years in Taiwan, Lam never felt comfortable as a singer. “I didn’t really know what I was interested in, but it wasn’t singing. It just didn’t feel right. But [I was told] that’s the quickest way to get people to know you, so I just went with it.”

After so many years as a “puppet”, Lam scored her next break when producer Derek Yee asked her to audition for a role as a precocious student in the Hong Kong drama July Rhapsody. She flew to Hong Kong, her father’s hometown, got the job and found a new calling as an actress.

Now, 17 years after July Rhapsody swept the Hong Kong Film Awards with Lam winning Best Supporting Actress and Best New Performer, the 41-year-old is set to wow audiences again with her starring role in this month’s thriller Declared Legally Dead.

Lam’s success in the Hong Kong movie industry, which includes more than 30 films and multiple acting awards, is a testament to her hard work and dedication, not only to her craft but also to learning Cantonese from scratch. “I’m still learning,” she says. “But it’s nice to be able to pick up Cantonese over the years, because once you feel like you can relate to the words, then you can really fully express yourself.”

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Besides a new language, acting also brought out something in Lam that singing never had. “I could feel my heart pounding and my blood was boiling. I was like, ‘This is it; this is what I want,’” she recalls of her first day on set with director Ann Hui.

“Her way of directing is, she doesn’t tell you specifically what to do. She just says, ‘Oh, the framing is from this wall to this chair.’ So you’re free to move. It felt so liberating. You know the silence between lines when your co-star is just watching you? That’s what I enjoy most. It’s not only the words but the silence between the words.”

Lam went on to film two to three movies a year after July Rhapsody, and became a regular on the awards circuit. But acting came so naturally to the budding star that all the accolades didn’t quite make sense to her. “I remember being on stage [at my first awards ceremony] and saying, ‘I’m not worthy,’” she recalls. “I didn’t understand what was happening. I just followed my intuition and felt like I was actually living a different life [when I was acting].

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“When we still used film, I remember going to see the dailies. They have no sound, and I saw me and my co-star Jacky Cheung kissing. I was thinking, it’s so weird because I remember this happening just the other day and why is it on the big screen?”

It wasn’t until she’d completed her 10th film that Lam knew she needed to step away and take back control of her life and career. She decided to go to Paris for six months and study under renowned physical-theatre professor Philippe Gaulier when he was working at Jacques Lecoq’s theatre school. “Everyone around me was like, ‘Are you crazy? This is the time where you can maximise your chances and your profits. And you’re going to take six months off to go back to the theatre?’ But I had to, because I felt this big impulse that if I continued, I’d end up hating what I really love, which is acting. It would become something that I hate.”

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Lam used that time to learn, observe and explore acting in the safe environs of the rehearsal studio. “You can go to the unknown and no one will judge you. You can just try a lot of things,” she says. “You see so much and it all goes into your library [of experiences]. I still miss those days, and I’m so glad I took those six months off.”

The next time Lam took time off was several years later, after she started a family with her director husband Steve Yuen. The couple took their two daughters, now aged six and nine, back to Canada for a year and then returned to Hong Kong, where Lam took another four years off from acting.

“I wanted to experience a lot of their ‘firsts’,” she says. “I wanted to be very hands-on. You know in Canada there are no helpers, right?” she says. “I’m breastfeeding and then I’m pumping right after to keep every bit of milk. Then I’m holding my baby and picking up remote controls with my toes. But I really cherish those times, because if you’re going to be an actress, I feel like you really have to live life. For me, those five years are something I’ll never forget.”

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Lam first met her husband on an advertising shoot, but the pair didn’t start dating until eight years later. Now they’re together in more ways than one, with Lam starring in and Yuen directing Declared Legally Dead. It’s a delicate balance for Lam, who knows Yuen’s every move yet still wants to retain an element of surprise.

“I deliberately hide certain things from him,” she says. “He’s always keen to ask me how I want to do a scene. So he’ll prepare the camera blocking and I’ll deliberately not tell him what I’m planning to do. That’s the exciting part. I want to let him know there’s still so much more to me. Making films together is so adventurous.”

For her role in Declared Legally Dead, starring opposite Anthony Wong and Carlos Chan, Lam had to transform into a partially blind woman who walks with a limp. Her preparations included visiting a casino – in Macau – for the very first time, and practicing the various physical elements.

“I remember I wanted to practice the walk, so I put some weight on my left leg as I’m sending my four-year-old to kindergarten,” says Lam. “I was walking with a limp and I remember her saying, ‘Mommy, what game are you playing?’ Then we were both limping and her teachers were at the door like, ‘Are you OK?’” she recalls, laughing. “It’s so funny. This is for sure not your everyday family. There were times when I wanted to practice having my left eye out of focus and my girls would know what I was doing and what’s involved.”

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Lam also studied the women who visited the small casinos in Macau in the afternoon: “After they lose their money or win their money, they go home and cook. And no one knows. I prefer not to get my references from other movies. I prefer to meet [real] people.” She also ate “a lot” in order to gain around 10 pounds and have a thicker waist.

But no matter the role or the movie, Lam has learned to follow her intuition. Which means that no matter how much research or homework she’s put into a role, once she’s on set she puts that aside and follows her gut. “It’s instinct. You do all your homework and then you throw it away, right? I always find that hard to explain. Like you’re acting out your intuition. It takes a lot of practice.”

When it comes to awards, Lam is similarly detached. “I’ve always given them either to the movie company or to the director, because I don’t want constantly to look at the award and remind myself of what I once did. I let go of the past, but I don’t fantasise about the future yet because I’m always living in the present.

“Of course, there’ve been a lot of remarkable moments for me throughout my career, because making films is a beautiful process. You work with creative people, and each and every one counts. It’s like this big family working together. As for awards, going on the red carpet, all that’s a bonus. It’s always been about making something beautiful.”

 


 

Photography CK at Secret 9 Production House

Art Direction Sepfry Ng 

Styling Christie Simpson

Stylist Assistant Angela Leung 

Hair Hin Wan 

Make-up Will Wong 

The post Actress Karena Lam on Fame, Family and Living in the Moment appeared first on Prestige Online - Hong Kong.

Hong Kong Director Stephen Fung on His Netflix Debut of Wu Assassins

Singer, actor and screenwriter-turned-director Stephen Fung has just finished directing the first two episodes of Netflix's debut martial-arts series, Wu Assassins. He tells us how years in the Hong Kong film industry have uniquely prepared him for the task.

 


 

On his days off, when he's in Hong Kong and has a spare moment, Stephen Fung likes to go to the computer centre. He also happens to really like bubble tea from a chain he frequents in Causeway Bay. He prefers trainers to loafers and loves a soft sweater to hang out in.

Fung shares all of this while he’s sitting in hair and make-up on a workday, prepping for our cover shoot. There’s an easy rapport, and his amiability carries over to crew members outside of his own team, as if we’ve all known one another forever.

Of course, most people have known Fung forever. Hong Kong audiences first met the son of famed local actress Julie Sek Yin in 1997 as a heartthrob singer in the two-man band Dry. The experience was that of a fish out of water for the international-school-educated, University of Michigan graduate whose music idols growing up were Alice Cooper and Iron Maiden.

“At the time, Hong Kong pop culture was similar to the West actually,” he says, “where they were into boy bands who wore a lot of make-up and danced. I’m totally anti that. I was into heavy metal in high school so it was a bit of shock, having to do things like wear a mascot costume at Ocean Park.”

After a year, Fung decided he was more suited to acting and segued into what became a successful career in front of the camera, working with the best of the Hong Kong film industry in its heyday, actors like Andy Lau, Faye Wong, Tony Leung Chiu-wai, Jackie Chan and Eason Chan (Fung also met his now wife, Taiwanese-born actress Shu Qi, on the set of the 1998 Hong Kong drama Bishonen). “I realised I wanted to venture into film,” he explains. “Because when your job is to play someone else, you can actually be yourself.”

From there, Fung transitioned to directing because, as he puts it, “I think I’m a bit of a control freak. I don’t like it when people tell me I have to do this or do that, and eventually I felt that I also have stories I want to tell, so I went into directing. It’s where I can just do my thing.”

The decision paid off. Having first started in Hong Kong with Enter the Phoenix, a movie for which he also wrote the screenplay, Fung made his way to Hollywood, directing two episodes of AMC’s Into the Badlands in 2015 with friend and erstwhile co-star Daniel Wu as lead – the first Asian lead in an American television series in 40 years. Fung’s directorial efforts were noticed by showrunner and producer John Wirth, who happened to have written Wu Assassins, a project slated as Netflix’s first martial-arts series.

“My agents told me someone was looking for a director for a job called Wu Assassins,” Fung recounts. “They sent me the script but when I first looked it over I was a bit hesitant because there are lots of elements in there that I felt were really stereotypical Asian-type stuff. Then when I spoke to John, he was very open-minded and expressed that that was why he wanted to find someone who would be sensitive to and familiar with the material.”

While the screenplay was in Wirth’s hands, Fung’s amiability gave way to a determination to set the right tone in the two episodes he was going to direct (Fung also signed on as executive producer for the entire project). “There were things that I couldn’t do because the storyline was pretty much set when I got on board, but what I could do was try to be more sensitive to the Asian ethnicity. I tried to change the kinds of restaurants that were in there – not like the ones where, you know, you always see a Chinatown where there’s a golden dragon.”

Because the show is essentially a modern iteration of the traditional chopsocky, drawing on the idea of the Chinese five elements, Fung wanted also to change the music – “I gave suggestions. I did say, ‘Please, no more of that Kung Fu Fighting song.’”

But Fung’s experience in the actual, authentic Hong Kong chopsocky gave him a more nuanced understanding of how and what fights to film in Wu Assassins. “The main difference was shooting styles. In the US, especially for TV where you have a very hectic schedule, what they do usually is they rehearse and rehearse, and then they use a lot of cameras and they shoot it – a lot of coverage [from different angles] and they throw it all to the editor who edits it,” he explains.

“Then there’s the Hong Kong way and the Indonesian way with [actor] Iko [Uwais], where you rehearse in the gym and have mops and things for prop replacements, but when you’re on set you might suddenly come up with other ideas. There’s a destination but the path is not set.

“So I’d tell John that if he’s hiring me and someone like Iko, there’s no point in doing things the same way he usually would. Otherwise, why not just hire someone from the US and shoot it his own way?

“There were changes we made to the script because there was a big car chase and I said, ‘Why don’t we change this and make use of Iko because he’s known for hand-to-hand combat? Let’s turn this car chase into a fist fight that can highlight what your actor is best known for. No one wants to see Iko driving a car, and given the very tight schedule, it’s not like it’s going to be Fast & Furious anyway, so why don’t we just shoot him doing some real fighting?’ They agreed.”

Fung’s resolve to do justice to the Asian actor and the martial-arts genre stems from his earlier attempt to break into Hollywood as an actor in 2002. “I first ventured into Hollywood in 2002 when the Hong Kong film industry was not in the best shape. It was just as Sars was starting,” he says. “A friend of mine who was a manager in the US suggested that I fly over and have him manage me and see if I could get any acting jobs. I thought that could be interesting so I moved to LA for a year.

“At first I went to lots of auditions and I did get roles, but as you can imagine, 20 years ago all I got offered were gangster roles. It was either crap roles or nothing. It wasn’t great for Asians in film back then.”

In the ample amounts of free time that Fung had in Los Angeles, he began to write what became the 2004 film Enter the Phoenix. “Then I wanted to come back to Hong Kong, but Sars had broken out so I stayed in LA for a bit longer and during that time I polished the script, the treatment and the pitch,” Fung continues. “Coincidentally, Willie Chan was starting a production company with Jackie Chan and Emperor films. They were looking for ideas so I pitched it to him and he liked it.”

With his directorial stint for Wu Assassins under his belt, Fung isn’t just resting on his laurels. The renaissance man has come home and accepted a new project that sees him alongside Hong Kong film- industry veterans Carina Lau and Simon Yam as a judge for Singapore’s Star Search 2019 finals. Where does he get the energy? Well, home. “It’s like that saying, ‘You are what you eat,’” he says with a laugh. “When you grow up in Hong Kong, a place that’s so energetic – I mean it’s not even just in the movies, it’s not just in a John Woo or a Jackie Chan film, it’s the whole city. It’s so vibrant. You go to Causeway Bay and it’s so vibrant. Hong Kong films have never been known to have the best lighting, by the way, except for maybe Wong Kar-Wai movies, but they’re known for the energy.

“So I think that’s what was always fed to me – the multi-ethnicity, the culture, possibly my love also for heavy metal. That’s like everything to me, that energy.”

 


Photography Kaon 

Creative Direction Gigi Lee 

Styling Zaneta Cheng 

Hair Carr Cheng at Number8

Make-up Hetty Kwong 

Styling Assistant Jan Li 

Wardrobe Loro Piana

 

The post Hong Kong Director Stephen Fung on His Netflix Debut of Wu Assassins appeared first on Prestige Online - Hong Kong.

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