Celebrity Life
The Clic-Clac: Henry Jacques Newest Perfume Accessory Uses Swiss Watchmaking Technology
The newest accessory from haute perfumerie Henry Jacques blends watchmaking expertise with the art of solid perfume. We take a closer look at the Clic-Clac.
Who among us hasn't reached out for a perfume because of the delicate and beautiful bottle it's been lovingly stored in? After all, our favourite fragrances are housed like magic potions, in vials and crystal-like flasks that we proudly display on our bathroom and bedroom shelves.
So it's no surprise really that French haute perfumerie Henry Jacques is extending this courtesy to solid perfume â and in doing so, breathing new life into the ancient art.
Henry Jacques has gone beyond simply creating stunning packaging, developing an ultra-sophisticated and wholly contemporary accessory that is functional as well as stylish. Called the Clic-Clac, it will house the Maison's new collection of solid balm-like perfumes.
The gorgeous accessory is the result of over four years of research development and engineering, applying Swiss watchmaking technology in the design of its foolproof opening mechanism. Slim enough to slip into your purse and housing the perfect medium that will never spill.
âThe creation of this object quickly transported us and overwhelmed us, surpassing all our expectations. Addictive for us, and fascinating for others, the Clic-Clac responds to the need of an era and a generation â a powerful response to something clearly lacking today,â says Anne-Lise Cremona, CEO of Henry Jacques.
The Clic-Clac is available in precious avant-garde materials such as titanium, carbon and gold, and is able to house any of the 50 Les Classiques solid perfume capsules. You can purchase it all, along with other standout fragrance essences, mists and the Maison's premium perfume box, at the Henry Jacques boutique at Elements Mall.
Henry Jacques Hong Kong, Shop 2036A, Metal Zone, 2/F, Elements, 1 Austin Road West, Tsim Sha Tsui
You can find out more here.
The post The Clic-Clac: Henry Jacques Newest Perfume Accessory Uses Swiss Watchmaking Technology appeared first on Prestige Online - Hong Kong.
Guerlain Leads the Way in Fragranceâs Fluid Future
Thierry Wasser, master perfumer at Guerlain, talks to Prestige about the latest compositions in L'Art & La Metière collection, and the past, present, and genderless tomorrow of perfume-making.
Perfume making at Guerlain is pretty much an elevated art form under the leadership of master perfumer Thierry Wasser, who ensures that all the houseâs creations connect with the spirit of the time. It was under his watch that the exclusive LâArt & La Metière collection was established in 2005 as an ode to the source of all perfumes â the natural, raw materials themselves.
This year, the collection is relaunched as an impassioned celebration of the art of fragrance, with the original 11 scents joined by four beloved Guerlain fragrances â Frenchy Lavande, Hermès Troublants, Oeillet Pourpre and Ăpices VolĂŠes (formerly Le Frenchy, Un Dimanche Ă la Campagne, Lui and Arsène Lupin Voyou respectively). Two new compositions have also created by Guerlain perfumer Delphine Jelk. Rose ChĂŠrie and Santal Pao Rose are both interpretations of that most popular floral, the rose, to bring the LâArt & La Metière collection up to 17 unique and distinct scents.
Although the rose is popularly viewed as a feminine ingredient, Wasser insists this was an âoccidental way of thinkingâ, and that the divide never existed in the world of perfume until marketing intervened. And Wasser would know: heâs worked with Jean-Paul Guerlain himself and, before joining the house permanently in 2008, heâd created many notable perfumes for others, including Christian Dior and LancĂ´me.
Wasser talked about his lifelong commitment to perfumes, the joys of creating perfumes that celebrate a singular accord, and his belief that the future of fragrances will be genderless.
I read that you collected plants to dry at home and make tinctures when you were young. Were you always fascinated with nature, raw materials and scents?
From about the age of 10, I began reading all the literature I could find regarding medicinal plants, then Iâd search the hills outside Montreux for the species Iâd read about. Indeed, Iâd collect them, dry them, and make all sorts of potions. It was my first, innocent, romantic foray into perfumery.
Youâve made so many well-known perfumes in the past, for other houses as well as Guerlain. How would you describe what makes your signature?
Iâd rather leave it to beauty journalists and fragrance critics to identify my signature, since self-analysis can be quite difficult. I do believe that Iâm versatile as a creator, due in part to my natural curiosity and desire to explore.
How do you approach each new fragrance in a creative way? Is it important to you to create a completely new fragrance with a new story or do you look to the archives?
Formulating fragrance is a way to express oneself, sometimes creatively, sometimes emotionally. In order to do that clearly, one needs to have a sense of culture â its past and its present. There are times when I do take inspiration from the past; other times I literally begin with a fresh, blank page in front of me. I think creating from both perspectives makes for a richer, fuller expression.
Of all the senses, smell is the most powerful when it comes to evoking memories and feelings. Is this something you bear in mind when creating new fragrances?
Creating a fragrance is like telling a story, but instead of words I use raw materials â and, like words, each one has a meaning. That said, the story I choose to tell via fragrance is open to interpretation from the wearer and may be forever linked to their memories and feelings in a way that I never intended or imagined. I quite like that aspect of perfume. Itâs intensely personal and eternal in a way that Iâll never know.
Perfumes are usually created as a mix of different notes, but with the LâArt & La Metière collection you placed a singular focus on a raw material itself to create the fragrance. What inspired you to do this?
The fragrances in this collection are of a style, one that distinctly expresses a feeling about a specific raw material. This collection reflects the unique marriage of intention and a singular note. That collision of emotion and solo raw material is very inspiring to me.
Are there certain raw materials that you find more interesting to work with than others?
My passion for specific notes is very capricious. Very often when working with one accord, I begin to fall in love with another complementary ingredient. I canât name a favourite, because my interest is constantly changing.
The rose comes in so many variants. The new Rose ChĂŠrie and the Santal Pao Rose, for example, are two very different takes. Can you tell us more about the two fragrances and the ingredients youâve chosen to work with?
Rose ChĂŠrie is about romanticism. Itâs a romantic interpretation of the beauty of the flower itself. Itâs like a sweet kiss. Santal Pao Rosa reflects a flower grounded in soil. The added touch of sandalwood gives the fragrance strength and even a sense of spirituality.
How do the new fragrances compliment the other rose scents in the line?
Rose Barbare, the other rose fragrance in the line, is a very sensual, carnal composition. I think these two new additions help to reveal more of the moods and facets of this endlessly inspiring ingredient.
Youâve credited Jean-Paul Guerlain himself for teaching you the importance of sourcing raw materials.
Jean-Paul Guerlain had a very logical, common-sense approach to sourcing, which I learned and appreciate greatly. Iâm proud to witness and uphold Guerlainâs long-standing commitment to sustainability, a value of the house well before my arrival and before it was fashionable. Without sustainability, weâd never have been able to maintain our partnerships and relevance for so many years.
When did perfumes become gendered and, moving forward, will we see more unisex fragrances?
Fragrance became gendered in Europe on the democratisation of the use of perfume. The publicâs mindset at the time liked to discriminate between male and female. Itâs a very occidental way of thinking. If you go to other cultures, these divisions donât exist in the world of perfume. I like to think that the future is to design fragrances that are genderless rather than unisex. Itâs a fine difference but to me, itâs one that matters.
Is there more room today for men to express their beauty and style?
My hope and my belief are that future generations of perfumers will be free to create without limitations of gender or societal norms. Yes, thereâs more room today for all of us to express our individual beauty in ways that my ancestors couldnât have imagined, but thereâs always potential to evolve even further. Freedom of expression in fragrance is the future.
The post Guerlain Leads the Way in Fragranceâs Fluid Future appeared first on Prestige Online - Hong Kong.
Haute perfumer Henry Jacques unveils special boxes for housing your favourite scents
Because who stops at one when it comes to beautiful perfumes?
The post Haute perfumer Henry Jacques unveils special boxes for housing your favourite scents appeared first on The Peak Magazine.
Haute perfumer Henry Jacques unveils special boxes for housing your favourite scents
Because who stops at one when it comes to beautiful perfumes?
For more stories like this, visit www.thepeakmagazine.com.sg.
4 fragrances to take you scent travelling during the pandemic
New scents to sate that wanderlust.
The post 4 fragrances to take you scent travelling during the pandemic appeared first on The Peak Magazine.
4 fragrances to take you scent travelling during the pandemic
New scents to sate that wanderlust.
For more stories like this, visit www.thepeakmagazine.com.sg.
Vetiver: The refreshing scent that pleases and the fragrances to try
Some years ago, I was asked to house-sit a little cottage in one of Scotlandâs ancient forests. This tiny cottage was nestled amongst huge trees, gnarly with age and blanketed with deep green moss. Iâll never forget watching the sun go down on the emerald forest, relaxing in front of an open fire, single malt [âŚ]
The post Vetiver: The refreshing scent that pleases and the fragrances to try first appeared on Luxury Lifestyle Magazine.How to pick the perfect luxury fragrance this summer
Whatâs the first thing you notice about someone when they walk into a room? While some might say itâs their eyes, their smile, or even their shoes, there is one thing that precedes them all. So, what is it? Their scent. You might never have realised it, but when someone is wearing a captivating perfume [âŚ]
The post How to pick the perfect luxury fragrance this summer first appeared on Luxury Lifestyle Magazine.How Hermesâ H24 fragrance defies gender norms, according to its creator
Christine Nagel, head perfumer at Hermes, on developing her latest menâs fragrance and why it isnât just for men.
The post How Hermesâ H24 fragrance defies gender norms, according to its creator appeared first on The Peak Magazine.
How Hermesâ H24 fragrance defies gender norms
Christine Nagel, head perfumer at Hermes, on developing her latest menâs fragrance and why it isnât just for men.
For more stories like this, visit www.thepeakmagazine.com.sg.
Beautiful perfumes for late spring and summer
âWhat do you wear to bed?â a journalist once asked Marilyn Monroe; âChanel No 5,â she famously quipped in reply. In reality, although she was âthe faceâ of No 5 advertisements, she also wore perfumes more suited to her curvy sensuality: Piguetâs Fracas and Patouâs Joy, both abundantly animalic sexy white florals. Where Joy focuses [âŚ]
The post Beautiful perfumes for late spring and summer first appeared on Luxury Lifestyle Magazine.Hermesâ latest menâs fragrance combines nature and technology
H24 is the luxury house's first new masculine fragrance in 15 years.
The post Hermesâ latest menâs fragrance combines nature and technology appeared first on The Peak Magazine.
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