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The recent Watches and Wonders shows heralded a renewed confidence in the world of horology, with brands flexing their versatility through a wide range of novelties that span accessible favourites to signature complications. Feast your eyes on the new releases in this first of two reports.

Rolex

The Crown’s 2021 novelties include refreshments to the Oyster Perpetual Explorer range, some over-the-top bejewelled additions to the Day-Date 36 and Lady- Datejust collections, and a number of striking new dial designs for the Datejust 36 and the ever-expanding Day-Date 36. And then there’s the Explorer in two-tone Rolesor, which really does seem to be shaping up as the watch for all seasons and reasons.

However, the Rolexes that are catching our eye this year are the trio of Oyster Perpetual Cosmograph Daytonas, each with a unique dial that’s been sliced from a chunk of meteorite. The new 40mm models are available with a white-gold case, monobloc Cerachrom bezel in black ceramic and a super-comfy and rather discreet Oysterfex bracelet; with a yellow-gold case, bezel and bracelet; or with a case, bezel and bracelet in Everose gold.

Aside from the dials (which also feature contrasting black subdials), the new references are little changed from existing models: the Superlative Chronometer Certified automatic calibre 4130 beats at 4Hz for a power reserve of 72 hours and claims an accuracy of +2/-2 seconds a day.
As to which of these Rolexes we’d actually chose for ourselves (were we, of course, chummy enough with our local Rolex dealer to elbow our way to the front of a very long queue), that’s tough. The meteorite looks especially cool against the Cerachrom bezel, but we reckon the contrast between the grained rock surface and yellow- gold case and markers is so fabulous that we might just go for that one.

Cartier

The Cloche de Cartier watch is the fifth creation in Cartier’s Privé Collection, which revives the maison’s historic models through limited editions. Named after the cloche or bell shape, because its outline resembles that of a service bell found at counters, the first Cartier timepiece to incorporate the quirky silhouette was a 1920 brooch-watch with diamonds and onyx. Although it’s featured in Cartier’s repertoire for decades, it was only ever produced in small quantities, with the last relaunch being in 2007. It still flaunts a dial that’s rotated 90o clockwise from the conventional position, so the wearer can read the time by extending the arm, instead of bringing the wrist towards him or her.

Another unexpected feature of the watch is its ability to be read like a clock when placed upright on a nightstand or table. The rail track and hour markings are adapted to the dial’s asymmetrical shape and the crown is set with a cabochon gem. Two new calibres were made at the Cartier manufacture at La Chaux-de-Fonds to adapt to the unique case shape.

There are six 37.15mm by 28.75mm references for the Cloche de Cartier. Each a numbered limited edition of 100 pieces, the two-hand model is offered in yellow or pink gold, and platinum, and is equipped with the hand-wound 1917 MC movement. Driven by the 9626 MC movement, the Cloche de Cartier Skeleton is available in pink gold and platinum (each in a numbered limited edition of 50 pieces). Lastly, a platinum diamond-set open-worked version is offered in a limited edition of just 20 pieces.

Montblanc

From the raft of newcomers presented by Le Locle-based Montblanc, we’ve decided to focus on a theme first presented at the final SIHH in 2009. Housed in a 40mm rose-gold case, the Heritage Manufacture Perpetual Calendar Limited Edition 100 (Ref MB 128669) is a beautiful timepiece that effortlessly straddles the classic and contemporary, features an especially eye-catching burnt- caramel dial with sunray finish, and - given the complexity of the complication - is a paragon of elegant simplicity.

In addition to time, day, date, month, moon-phase and leap-year functions, the self-winding movement also powers a second time-zone hour hand and a 24-hour display. Since levers have been eliminated from the mechanism (they’re replaced by wheels and cams), the time can be adjusted in either direction. Aside from the colour, this is no different from the white-dial model presented two years ago; however, the rich new tone elevates it to a new level of desirability.

The 77-jewel, 378-component Calibre MB 29.22, which is based around a Richemont three-hand movement, oscillates at 4Hz and provides a reserve of around two days. The watch is supplied on a brown alligator Sfumato strap with rose-gold buckle and comes in a limited edition of 100 pieces.

Patek Philippe

Watch collectors who feared that the Patek Philippe Nautilus in stainless steel had become a thing of the past with the discontinuation earlier this year of the blue-dial 5711/1A-010 need fear no longer. For just as Watches & Wonders kicked off on April 7, Patek revealed a new steel Nautilus - Ref 5711/1A-014 - but this time with its ridged dial in olive-green sunburst.

Whether you’re a “green” or a “blue” person, there’s no doubt that the new colourway suits the Gérald Genta-designed Nautilus perfectly - though perhaps it doesn’t work quite so successfully on the Ref 5711/1300-001, which features a bezel set with baguette-cut diamonds; time will tell. In almost all other respects, though, this is familiar territory for the 5711: the 4Hz 26-330 S C automatic calibre with Gyromax balance and Spiromax silicon balance spring, which offers 35-45 hours of power, has been in use for the past couple of years. The 12-bar water resistance, applied hour markers and hands in white gold, and an eminently wearable 40 x 8.3mm case size are equally par for the course.

Aside from the new dial colour, then, nothing has really changed with the “entry- level” Nautilus. As discreetly classy as the 5711 ever was, it will also be impossibly difficult to get hold of: back in 2019, the New York Times reported an eight-year wait - if, that is, you could even get on to the list. As word has it that, green dial or no, this is the final year of production for the 5711, all we can say is: in your dreams.

Bulgari

It’s undeniable that Bulgari’s Octo Finissimo range has made an indelible mark in the world of haute horlogerie. The maison has racked up seven world records in just seven years, the latest being for the Octo Finissimo Perpetual Calendar - the slimmest watch of its kind in the world. Reinterpreting a classical horological complication in a resolutely contemporary manner, the 40mm timepiece spotlights the brand ’s finesse in rewriting traditional watchmaking codes.

No fewer than 408 components interact within the extremely tight space provided by the ultra-slender 5.8mm case. The development of the 2.75mm calibre BVL 305 required the design engineers to devise new solutions, such as the use of a micro-rotor and the optimal use of the space between the components without reducing their dimensions. A testament to true genius in the realm of miniaturisation, this development powers the hours and minutes hands along with all the perpetual calendar functions: retrograde- display date, day, month and retrograde-display leap years.

They’re adjusted by means of three correctors: one for the date at 2 o’clock, another for the month at 4 o’clock and a third for the day between 8 and 9 o’clock.

The owner will be able to read the time without having to adjust the indications before February 2100, a leap year that will require the adjustment of the functions. The timepiece is offered in titanium with a matching bracelet, as well as in platinum with a blue lacquered dial and accompanied with an alligator leather strap.

Tudor

Among the new Tudor novelties were two Black Bay Fifty-Eight divers in precious metals and with exhibition casebacks, one being the brand’s first ever dive watch in a silver alloy case, and the other - the Fifty-Eight 18k (Ref 79018V) - an even more extravagant version of what’s essentially the same timepiece. As the name suggests, the latter comes in a 39mm solid yellow gold case, which is matched with a dial and rotating bezel in olive green.

Even more interestingly, Tudor has given the case a matte treatment, so that what might have looked blingy instead has the appearance almost of bronze, which is certainly more in keeping with the Black Bay’s classic tool-watch design codes. And though we suspect that most gold dive watches rarely get closer to the waves than the deck of a superyacht, it’s also been endowed with water resistance of up to 20 bar.

A sapphire caseback is an unusual move for Tudor and, to be absolutely honest, there’s nothing especially remarkable-looking about the manufacture calibre MT5400 that it reveals. That’s not to say, however, that it isn’t a worthy mechanism, as it features a non- magnetic silicon hairspring, is COSC-certified with a claimed daily accuracy of +4/-2 seconds, and oscillates at 4Hz for a reserve of around 70 hours.

Wrapping up the package is an alligator strap that gives the 18K a distinctly vintage appeal, and it’s also supplied with one of Tudor’s excellent matching fabric alternatives in green and gold; both come with buckles in the same yellow gold.

Louis Vuitton

Louis Vuitton’s contribution to high watchmaking this year is a flying tourbillon GMT creation peppered with house motifs and the glorious initial “V” - a tribute to Gaston Vuitton. Developed by the maison’s own manufacture, La Fabrique du Temps Louis Vuitton, the Tambour Curve GMT Flying Tourbillon features a case whose shape is an extrapolation of those of the Tambour Curve Flying Tourbillon Poinçon de Genève, launched last year.

Made of shot-blasted grade 5 titanium, the 46mm case middle of this dynamic model draws inspiration from the Möbius strip. Stretched and elongated, it catches the eye with the convex curve of its bezel and crystal.

The watch has two push pieces on its right side of the case in order to simplify the setting of the GMT function. This enables the dedicated indicator, positioned within the open counter at 3 o’clock, to move forward or backward.

At the same time, it also allows Louis Vuitton to maintain the symmetry of the watch and further highlight the case’s soft proportions.
Powered by the in-house calibre LV82, the Tambour Curve GMT Flying Tourbillon is available entirely in titanium; with lugs, push pieces and winding crown in pink gold; or in a full titanium version with a dial carved from the Gibeon meteorite that landed in Namibia and hour markers set with baguette-cut diamonds.

Chanel

Melding brilliant gem-setting techniques with a beautiful skeletonised movement, Chanel’s 2021 interpretation of the J12 X-Ray watch plays with a rainbow of colours. The J12 X-Ray Electro Calibre 3.1 builds upon the same foundation that made the collection a must-have for high-jewellery watch lovers.

As indicated in its name, the watch is powered by the hand-wound Calibre 3.1 with 55 hours of power reserve, whose moving parts are all secured by sapphire bridges, including the minute counter bridge, baseplate and cogwheel bridge. The dial thus exhibits incredible transparency and is also punctuated by 12 baguette-cut rainbow sapphire hour markers of almost 0.48 carats. These are further complemented by 46 baguette-cut rainbow sapphires weighing approximately 6.46 carats and set on the white-gold bezel, while the white-gold non-screw-down crown flaunts a brilliant-cut diamond.

Transparency flows on to the watch’s unique bracelet, in which each link is made of sapphires bound together by white-gold pins. The devil is in the details - and though this picture doesn’t show it, two links on the bracelet are set with an additional 34 baguette-cut diamonds totalling 1.96 carats. The watch is produced in a numbered and limited edition of just 12 pieces.

Corum

The Admiral collection debuted more than 60 years ago, and over the course of its existence the watch has been reinterpreted multiple times. This year is no different. Visually stunning, the Admiral 45 Automatic Openworked Flying Tourbillon Carbon & Gold marks the introduction of an all-new case material by Corum.

Although the watch is limited to 48 pieces, no two of them are aesthetically identical, thanks to a composite of carbon and gold glitter that makes up the dynamic case. As gold flakes seesaw within the carbon/resin mix during the manufacturing process, they begin to settle organically in a random distribution, resulting in a one-of-a-kind appearance. As the material is lighter than steel and titanium, this 45mm timepiece still feels comfortable on the wrist.

At the heart of the watch lies the extravagant open-worded CO 298 automatic flying-tourbillon movement that provides 72 hours of power. Developed in-house and accented with gold, the 3Hz movement pairs well with the gold-flecked case and its black PVD-coated components can be seen from the front and back of the case. A power-reserve indicator is positioned at 9 o’clock, while a felicitous three-minute counter appears at 3 o’clock as a nod to the house emblem, a key with three petals.

Chopard

The manufacture commemorated its 25th anniversary by entering the world of jumping hours with the understated L.U.C Quattro Spirit 25, which features a 40mm ethical rose-gold case and the prestigious Poinçon de Genève hallmark.

A jumping-hour watch is unique in the way it indicates time. By eschewing a customary hour hand, it features a digital display with an hour disc that works with the minute hand. When the minute hand passes the 60-minute mark, it triggers the disc to leap forward to the next hour.

As this motion consumes more energy than a traditional display, Chopard has made the sensible move of equipping the timepiece with the L.U.C 98.06-L manual-wound movement, that’s fitted with four barrels and is based on Chopard’s exclusive Quattro technology. This provides the watch with a power reserve of up to eight days - more generous than many contemporary jumping-hour models - in spite of beating at a relatively brisk 4Hz.

One of few maisons to have mastered the centuries-old art of enamelling, Chopard endows the watch with a gorgeous white grand feu enamel dial in ethical rose gold, made by an enamelling artisan at the Chopard manufacture in Fleurier. Only 100 pieces of the L.U.C Quattro Spirit 25 will be produced.

The post Watches and Wonders 2021: A Triumph of Versatility appeared first on Prestige Online - Hong Kong.

We can all agree that the year 2020 was massively horrendous for humanity but if you thought that would have affected the quality of watches that came out during this year's Watches and Wonders, think again. Here are all the watch trends we've picked up from these 2021 novelties.

In 2020, “everything that could go wrong went wrong,” FHH President Emmanuel Perrin tells me over a call. Jaeger-LeCoultre CEO Catherine Renier also tells me in a call that it was indeed a challenging year, but it had only made the brand stronger. Sentiments such as these are echoed by the various CEOs and top management that I’ve spoken to over the duration of the digital watch fair in April.

“It was really difficult at that time – in a way it’s almost scary to be in that situation,” says Renier. “But it turned out for us to also be a very strong moment of learning about our own agility and our capability to adapt to these types of situations. After that, you know, you’re a lot stronger.”

The watch industry is indeed a resilient one – it survived the Quartz Crisis in the ’70s and laughed off the “dangers” posed by the smartwatch revolution just a decade ago. What the global pandemic of 2020 has done was strengthen the industry’s resolve to share only the best of the best watches it could muster, and at this year’s Watches and Wonders, it certainly does seem as if it’s done just that.

It’s a simple formula really. When the going gets tough, keep your head down and do what you do best. The brands that focussed on pure and authentic expressions of their heritage, while embracing change and looking ahead, have only grown stronger. In times of crisis, timelessness, meaning, and reliability are what we look and strive for and we instinctively gravitate towards things that speak to those values.

This year, brands really took the time to reflect on their own portfolios and collections, and what we’re seeing is a more streamlined approach across the board. With decreased capacity, brands are forced to produce only the strongest designs – designs that they truly believe in – and it shows.

And so, it’s almost funny that in a year where you’d least expect to find discernible trends, we’d see so many new releases with green dials, starting with the most coveted, final version of the Patek Philippe Nautilus ref. 5711 that’s been released in a stainless-steel case with a gorgeous olive-green dial.

There’s also the fun and funky Rolex Datejust 36mm with a green palm-motif dial, Tudor’s gold Black Bay Fifty-Eight with a green dial and bezel and a display caseback, Pilot’s Chronographs by IWC in a new 41mm case and green-dial options, as well as TAG Heuer’s new Aquaracer in titanium, which comes with a green ceramic bezel and dial.

From Jaeger-LeCoultre, the Reverso Tribute Small Seconds, available in blue and burgundy, is now also in an elegant dark green. Piaget’s Altiplano Ultimate Concept is given green embellishments for a totally new look.

Props goes to Montblanc, which has even developed a new kind of gold – lime gold – that’s composed of a special alloy of gold, silver and iron for a distinct and appealing tint of jade green, paired with lime green cathedral hands and indexes.

And then there was the other kind of green, the sustainability kind, that in recent years has become an unavoidable topic in the world of luxury. Social responsibility, ethics and the environment are no longer separate departments within a company, but part and parcel of the brand. Leaders in this evolution – Chopard, Panerai, and Cartier – best express this in their offerings. Chopard pioneered this change in the past few years, first with making its collection with 100 percent ethical gold, and then with the launch of Lucent A223 recycled steel.

Panerai, too, has turned to recycled steel in its new trio of eSteel watches. The brand also made waves this year with the Submersible eLab-ID, constructed from EcoTitanium and claimed to be the watch with the highest percentage of recycled-based material ever made. Moreover, Panerai has revealed its list of suppliers for the watch in a bid to make watchmaking practices more circular and sustainable for the future.

Cartier’s relaunched Tank Must collection features the world’s first solar-powered luxury watch, with a movement called SolarBeat that won’t need to be serviced for 16 years. The watch also uses recycled gold and is a clear statement of Cartier’s dedication to making luxury sustainable.

Lastly, where would watchmaking be if it weren’t for innovation? Jaeger-LeCoultre has pulled out all the stops to celebrate the 90th anniversary of the revered Reverso. The new Hybris Mechanica Calibre 185 Quadriptyque is the most complicated Reverso yet, boasting 11 different complications and 12 patents in an absolutely wearable case size.

Celebrating 175 years, Ulysse Nardin designed the UFO, a table clock that’s a modern tribute to the brand, encapsulating all of its horological achievements in one singular object – from the marine chronometers of the 19th and 20th centuries, to complex timepieces such as the Freak of 2001 and the Blast of 2020.

IWC’s Big Pilot’s Watch Shock Absorber XPL comes with the capability of protecting the movement from 30,000Gs in impact tests, Bulgari yet again sets a world record for the thinnest perpetual calendar, while Hublot establishes itself as the ultimate purveyor of sapphire with the Big Bang Integral Tourbillon Full Sapphire, a world-first with its integrated sapphire case and bracelet.

It would be impossible to list here all the amazing pieces we’ve seen during the two weeks of Watches and Wonders 2021, and you'll be able to read more of our watch coverage here. The world of watches has rarely been as exciting as it is now.

The post Watch Trends 2021: A Sign of the Times appeared first on Prestige Online - Hong Kong.

Our pick of the most notable new timepieces from the biggest watch fair of the year.

The post The best of Watches and Wonders 2021 appeared first on The Peak Magazine.

Our pick of the most notable new timepieces from the biggest watch fair of the year.

For more stories like this, visit www.thepeakmagazine.com.sg.

Our pick of the most notable new timepieces from the biggest watch fair of the year.

For more stories like this, visit www.thepeakmagazine.com.sg.

Our pick of the most notable new timepieces from the biggest watch fair of the year.

For more stories like this, visit www.thepeakmagazine.com.sg.

The Carlyle hotel-inspired bolthole -- slated to open on the uppermost floors of Rosewood Hong Kong later this year -- will offer a blueprint for the eponymous group's vision of "a new kind of international members' club". We venture north of the harbour to discover just what that entails...

Hitherto, the Hong Kong ecosystem of private members' clubs has been split broadly between two camps: at one end, you have venerable institutions catered to the needs of the city's professionals (the FCC) and those who surround them (the KCC); at the other, a burgeoning array of social haunts meant to profit from the growing number of Silicon Valley types -- hawkers of crypto, CBD cafes, and other speculative investment opportunities -- who reside here.

Call me Debbie Downer, but neither feels like an especially glam place to visit. After all, such clubs justify their patronage by way of mostly pragmatic considerations: a convenient location; access to business networking opportunities; affordable gym membership; and so forth. This, as Rosewood Hotels CEO Sonia Cheng well knows is where Carlyle & Co. can break the mould -- by conjuring a little glamour into Hong Kong's mostly comatose members' club scene.

Best thought of as a kind of pied-à-terre to the Rosewood Hong Kong (spanning the 54th-56th floor of the hotel) Carlyle & Co. is, in effect, Cheng's answer to the boutique members' clubs that have dominated pop culture these last 20 years. In Hong Kong -- where bureaucratic red tape is frequent; and decent-sized real estate scant -- her hotel group's latest venture feels especially impressive -- if for no other reason than the sheer audacity of it all.

In recent weeks, the first details of the club's leviathan 25,000 sq. ft. premises have begun to emerge, inspired in broad strokes by the "intriguing, inimitable and ultimately indefinable" style of The Carlyle in New York (incidentally also a brand owned by Rosewood Hotels). To orchestrate this vision of Hong Kong-via-Manhattan, Rosewood turned to British designer Ilse Crawford, whose approach has imbued the club's many rooms with a light, playful sensibility -- affording each a healthy dose of individual personality.

For fusty decadents like yours truly, the gentlemen's spaces -- including a barber, shoeshine, and capsule store by an award-winning haberdasher -- hold immense charm -- even though they espouse just one of many eclectic visual styles members will enjoy each time they navigate the club. The aforementioned differ significantly from spaces like the Cabaret Bar and Sitting Room, both of which employ the medium of painting (by artists Jean-Philippe Delhomme and Christina Zimpel respectively) to celebrate The Carlyle hotel's legendary Bemelmans murals.

Supper & Supping

In the spirit of its progenitor, the various dining venues at Carlyle & Co. seem to be accompanied by an august sense of occasion. The crux of the action happens at the brasserie, which (like any decent club restaurant in Hong Kong) serves a medley of Western, Chinese, and all-day delicacies. Here, the focus is on simply cooking the freshest produce the club can source -- various of the small plates are smoked, cured, or otherwise preserved in-house -- yet it's hardly the most theatrical outlet. That honour belongs to Café Carlyle, an intimate supper club intended as the local chapter of the eponymous tippling destination in New York. Members can expect this to be the repository of the club's live musical programming, which (consistent with the historic acts that have taken to the stage at the Carlyle hotel) will include an assortment of uniquely American artforms like jazz, funk, and blues.

Members craving a dose of sunshine can also take a selection of food and drink on the club's 55th-floor terrace, which (much like the Rosewood property at large) enjoys the sort of view that's conducive to sonnet writing or spontaneous tears of joy. Flanking one end of that terrace, you'll find the local chapter of Bemelmans Bar. Like its namesake, the menu here is split roughly equally between fine wines, punchbowls and classic cocktails; though, at the weekend, you can expect a certain frenetic atmosphere to take hold, as the space merges with the terrace for live DJ performances against the backdrop of Victoria Harbour.

Cosy quarters, brimming with personality

Though Carlyle & Co. members can easily book themselves into one of the 400-plus rooms at the surrounding Rosewood property, the entire 54th floor of the club is given over to eight themed suites -- all of which celebrate the history of The Carlyle hotel. More or less equal in size, each offers an inviting and distinctive interior personality. If you're retiring following an evening spent drinking (one too many) Martinis for instance, the 'Tommy' seems an apt choice -- named for and inspired by the legendary Bemelmans bartender Mr. Tommy Rowles. Other known personalities include Dorothy Draper, the original 'modern Baroque' decorator of The Carlyle's interiors; and Eartha Kitt, the renowned actress and Broadway musician. For dedicated students of café society, a stay in every single suite would seem like money well-spent.

A variety of membership packages are available at Carlyle & Co., with or without health club membership. To learn more about rates (or inquire about eligibility) visit Carlyle & Co. online.

The post Watches and Wonders Shanghai: Hosting a Show During a Pandemic appeared first on Prestige Online - Hong Kong.

The Carlyle hotel-inspired bolthole -- slated to open on the uppermost floors of Rosewood Hong Kong later this year -- will offer a blueprint for the eponymous group's vision of "a new kind of international members' club". We venture north of the harbour to discover just what that entails...

Hitherto, the Hong Kong ecosystem of private members' clubs has been split broadly between two camps: at one end, you have venerable institutions catered to the needs of the city's professionals (the FCC) and those who surround them (the KCC); at the other, a burgeoning array of social haunts meant to profit from the growing number of Silicon Valley types -- hawkers of crypto, CBD cafes, and other speculative investment opportunities -- who reside here.

Call me Debbie Downer, but neither feels like an especially glam place to visit. After all, such clubs justify their patronage by way of mostly pragmatic considerations: a convenient location; access to business networking opportunities; affordable gym membership; and so forth. This, as Rosewood Hotels CEO Sonia Cheng well knows is where Carlyle & Co. can break the mould -- by conjuring a little glamour into Hong Kong's mostly comatose members' club scene.

Best thought of as a kind of pied-à-terre to the Rosewood Hong Kong (spanning the 54th-56th floor of the hotel) Carlyle & Co. is, in effect, Cheng's answer to the boutique members' clubs that have dominated pop culture these last 20 years. In Hong Kong -- where bureaucratic red tape is frequent; and decent-sized real estate scant -- her hotel group's latest venture feels especially impressive -- if for no other reason than the sheer audacity of it all.

In recent weeks, the first details of the club's leviathan 25,000 sq. ft. premises have begun to emerge, inspired in broad strokes by the "intriguing, inimitable and ultimately indefinable" style of The Carlyle in New York (incidentally also a brand owned by Rosewood Hotels). To orchestrate this vision of Hong Kong-via-Manhattan, Rosewood turned to British designer Ilse Crawford, whose approach has imbued the club's many rooms with a light, playful sensibility -- affording each a healthy dose of individual personality.

For fusty decadents like yours truly, the gentlemen's spaces -- including a barber, shoeshine, and capsule store by an award-winning haberdasher -- hold immense charm -- even though they espouse just one of many eclectic visual styles members will enjoy each time they navigate the club. The aforementioned differ significantly from spaces like the Cabaret Bar and Sitting Room, both of which employ the medium of painting (by artists Jean-Philippe Delhomme and Christina Zimpel respectively) to celebrate The Carlyle hotel's legendary Bemelmans murals.

Supper & Supping

In the spirit of its progenitor, the various dining venues at Carlyle & Co. seem to be accompanied by an august sense of occasion. The crux of the action happens at the brasserie, which (like any decent club restaurant in Hong Kong) serves a medley of Western, Chinese, and all-day delicacies. Here, the focus is on simply cooking the freshest produce the club can source -- various of the small plates are smoked, cured, or otherwise preserved in-house -- yet it's hardly the most theatrical outlet. That honour belongs to Café Carlyle, an intimate supper club intended as the local chapter of the eponymous tippling destination in New York. Members can expect this to be the repository of the club's live musical programming, which (consistent with the historic acts that have taken to the stage at the Carlyle hotel) will include an assortment of uniquely American artforms like jazz, funk, and blues.

Members craving a dose of sunshine can also take a selection of food and drink on the club's 55th-floor terrace, which (much like the Rosewood property at large) enjoys the sort of view that's conducive to sonnet writing or spontaneous tears of joy. Flanking one end of that terrace, you'll find the local chapter of Bemelmans Bar. Like its namesake, the menu here is split roughly equally between fine wines, punchbowls and classic cocktails; though, at the weekend, you can expect a certain frenetic atmosphere to take hold, as the space merges with the terrace for live DJ performances against the backdrop of Victoria Harbour.

Cosy quarters, brimming with personality

Though Carlyle & Co. members can easily book themselves into one of the 400-plus rooms at the surrounding Rosewood property, the entire 54th floor of the club is given over to eight themed suites -- all of which celebrate the history of The Carlyle hotel. More or less equal in size, each offers an inviting and distinctive interior personality. If you're retiring following an evening spent drinking (one too many) Martinis for instance, the 'Tommy' seems an apt choice -- named for and inspired by the legendary Bemelmans bartender Mr. Tommy Rowles. Other known personalities include Dorothy Draper, the original 'modern Baroque' decorator of The Carlyle's interiors; and Eartha Kitt, the renowned actress and Broadway musician. For dedicated students of café society, a stay in every single suite would seem like money well-spent.

A variety of membership packages are available at Carlyle & Co., with or without health club membership. To learn more about rates (or inquire about eligibility) visit Carlyle & Co. online.

The post Tudor steps out of Rolex’s shadow with a slew of handsome Black Bay models for 2021 appeared first on Prestige Online - Hong Kong.

The 2021 Explorer and Explorer II models see the use of new movements and precious metal for the first time, and a return to an original 36mm case size.

The post Rolex celebrates exploration with its new watches in the 50th anniversary of the Explorer II appeared first on The Peak Magazine.

The 2021 Explorer and Explorer II models see the use of new movements and precious metal for the first time, and a return to an original 36mm case size.

For more stories like this, visit www.thepeakmagazine.com.sg.

The 2021 Explorer and Explorer II models see the use of new movements and precious metal for the first time, and a return to an original 36mm case size.

For more stories like this, visit www.thepeakmagazine.com.sg.

A new watch for men, this one hits all the right notes as it straddles the divide between formality and casual chic.

The post Hermès H08 Comes in Hot appeared first on LUXUO.