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The Latest Art Exhibitions to See This Month

David Zwirner Hong Kong

Here are the latest must-see art exhibitions and experiences to satiate the art-and-culturally-minded individuals in this city.

Soluna Fine Art: Prism

Jeong Myoung Jo Play Ground, oil on canvas (Courtesy of Soluna Fine Art Gallery)
Jeong Myoung Jo Play Ground, oil on canvas (Courtesy of Soluna Fine Art Gallery)

Until October 21, Soluna Fine Art presents a group exhibition titled Prism in celebration of the third anniversary of the gallery's relocation to Sheung Wan. Its biggest group show yet, the exhibition comprises the work of 16 local and international artists.

Until October 21. Soluna Fine Art, G/F 52 Sai Street, Sheung Wan

art exhibitions
Comics 2, 1998, acrylic on canvas (Courtesy of Michael Lau / Woaw Gallery)

Hong Kong-based artist Michael Lau, known as the “Godfather of the Designer Toy”, is presenting a solo exhibition at Woaw Gallery in Central. Original paintings and sculptures from the artist’s signature Gardener series showcase an important part of Lau’s career. Delving into Maxx Heardoom, hero of the Gardener series, the exhibition explores the concept of youth, passion and perseverance through a selection of works old and new. It also reflects Lau’s own journey through the character of Maxx as a metaphor for the artist himself — a strong-willed character who sacrifices everything for his passion.

Until October 23. Woaw Gallery, 9 Queens Road Central

K11 MUSEA: A Muse by the Sea

art exhibitions
Hajime Sorayama x ZHEN at K11 MUSEA

K11 MUSEA is presenting a collection of six art and design dreamlands – titled Muse Rooms – to bring visitors an immersive experience into arts and culture. Six leading artists, including a'strict, Jon Buergerman, Nelson Chow, Tony Oursler, Hajime Sorayama and Joyce Wang, are tasked to put their artistic spin to some of K11 MUSEA's most popular retail destinations. Interior designer Joyce Wang has for example, reimagined an ice cream pavilion with creations by Cookie DPT, while Sorayama continues to blur boundaries between virtual and tangible with his installation at Gold Ball. Discover it all for yourself now with a visit to K11 MUSEA.

Until November 14. K11 MUSEA Victoria Dockside, 18 Salisbury Road, Tsim Sha Tsui

Perrotin: Gregor Hildebrandt

Gregor Hildebrandt at Perrotin Hong Kong
Exhibition view of Behind My Back, in Front of My
Eyes by Gregor Hildebrandt at Perrotin Hong Kong, 2021. (Photo: Ringo Cheung.
Courtesy of the artist and Perrotin)

German artist Gregor Hildebrandt's latest exhibition Behind My Back, in Front of My Eyes, is on show at Galerie Perrotin until November 20, marking his second solo show in the city. Hildebrandt often used repetition in his works, and "sound paper" as his medium, allowing him to visualise music and to paint, or stick, "music" onto canvas.

Until November 20. Perrotin, 807, K11 ATELIER Victoria Dockside, 18 Salisbury Road, Tsim She Tsui.

David Zwirner: Isa Genzken

art exhibitions
Isa Genzken, Untitled, 2012 (© Isa Genzken / VG Bild-Kunst, Bonn
Courtesy the artist, David Zwirner and Galerie Daniel Buchholz, Cologne)

This month, David Zwirner Hong Kong presents the first solo exhibition in greater China by artist Isa Genzken.  It presents key works from the past decade, including highlights from her Schauspieler (Actors) series, as well as recent “tower” sculptures (pictured), which together attest to Genzken’s continued innovation as an artist. The show also coincides with an ongoing presentation of the artist’s Rose II at K11 Musea.

Opens October 20 until December 18. David Zwirner Hong Kong, 5-6/F, H Queen's, 80 Queen's Road Central

(Hero image: Exhibition view at David Zwirner Hong Kong)

The post The Latest Art Exhibitions to See This Month appeared first on Prestige Online - Hong Kong.

What’s On This Month in the World of Art

Sherrie Levine, Hong Kong Dominoes: 1-12, 2017. Twelve tempera on mahogany panels. © Sherrie Levine. Courtesy the artist and David Zwirner.

What’s the future of fashion? What’s unique about Hong Kong style? What’s next for your industry? What’s in and what’s out? We pose these questions to the designers, entrepreneurs, leaders, stylists and influencers who’ve made an impact on fashion here.

With Covid focusing attention on our own backyard, this era of style in the city is renegotiating in familiar territory. And from talking to the experts, common arcs emerge. 

Johanna Ho

Designer, sustainability champion and founder of Phlvo Platform

Johanna Ho
Johanna Ho

Circularity, transparency, responsibility, respect and a proper value system – I feel these all must be the future of fashion. In fashion, I’m inspired by people, human values and the new possibilities of technology. In Hong Kong, there’ll be more connections between fashion education and the industry: mentorships and bridging or training programmes for students within the industry. This is a new season for me – with this new platform concept of Phlvo I want to start bringing a connection between the East and West. I don’t want to chase the chase anymore, or “accelerate growth”, which has been the fashion industry over the past decades – fast fashion, whether mass-produced or luxury brands. It’s all about reworking the system and dealing with issues such as exploitation, values, customers experiences, connection and relevance.

Karmuel Young

Designer and founder of Karmuel Young

Karmuel Young
Karmuel Young

Fashion’s future is gender-neutral. Some brands propose that direction by wading into gender-fluid, unisex or polysexual fashions, but I believe it’s about an extreme sense of self. Fashion is becoming more open to self-expression and letting the audience decide what they buy and want to wear. The younger generation pays less attention to traditional gender roles and looks and more towards integrity and authenticity.

Arnault Castel

Founder of Kapok

Arnault Castel
Arnault Castel

The future of fashion is in rediscovering how to make people feel beautiful, confident, comfortable and fun. It should be less a signifier of “coolness” or social class. It should stay away from limited edition and collectors and become again a way for us to communicate who we are. Hong Kong is unique because it embraces the new with a great knowledge of past style. Hong Kong style has no fear.

Vivienne Tam

Designer and founder of Vivienne Tam

Vivienne Tam
Vivienne Tam

Since the pandemic began and everyone is homebound, fashion is localising … Society is now ready to support and appreciate Hong Kong designs, we’ll search deeper into Hong Kong’s history and culture, but maintain a proud global voice. It seems there are more restrictions and taboos with the political conflicts around; it’s getting challenging, but challenges make us more creative and focused. The future of fashion is more inclusive with universal values and an emphasis on sustainability and health. People are adopting healthier lifestyles and sporting cultures – I’m designing to blend beauty and style with protection, as in my crossover collection with Masklab and using antibacterial fabric for my travelling trench coats when the gates finally open. Fashion shows can be at any time now and anywhere; the fashion norms and rules are deconstructed and move towards more artistic and unexpected ways of presentation.

Douglas Young

Co-founder, Goods of Desire

Douglas Young
Douglas Young

Fashion, like art, is a form of social commentary, and our society is very polarised now. You have split realities and fashion will mirror that, in the sense that it will become more diversified. In the past there was a central flow of fashion trends. In the future, these trends will break into fragments and become multiple trends. There won’t be one mainstream trend any longer – the future is diversity. Local fashion will find its own identity and uniqueness through local street culture, because Hong Kong is an advanced city. People are sophisticated in their style and taste, very international and diversified … Hong Kong will soon find its own identity, uniqueness and style. I’m inspired by the way people dress in Hong Kong, especially grass-roots people. The way they boldly mix things freely without consideration – so you have a lot of accidental fashionistas! Also, the ingenuity of adapting things really inspires me, not just in fashion but design in general. The unlikely combinations produce surprising contrasts. Hong Kong people don’t seem inhibited by putting things together in the same way that, say, Westerners might not do.

What’s next for us? We’ve found success in translating our company from initially focusing on furniture to lifestyle and clothing. We found a unique angle in Chinese clothing that’s simultaneously both traditional and modern. A continued focus on boosting our e-commerce is also on the agenda. It also allowed us to discover a market beyond borders for our type of clothing and we’ll continue to pursue that.

Elle Lee

KOL, actress and emcee

Elle Lee
Elle Lee

The future of fashion is more environmentally cautious, easy on the Earth and soft on the skin. Hong Kong style has always been quite sharp, especially for ladies. Women aren’t afraid to dress out and express their personality in unisex and edgy ways.

Mayao Ma

Director of Fashion Farm Foundation

Mayao Ma
Mayao Ma

In the future, fashion will be more focused on the design than where the brand or designer is from. There are many more Hong Kong brands with potential to stand out in the international market. I believe there’ll be more collaborations too. For spring/summer 2022, the Fashion Farm Foundation is presenting the new collections of three brands – Pabe Pabe (accessories), Ponder.er (men’s and womenswear) and VANN (jewellery) – at Paris Fashion Week with a digital film presentation. The crew members are all from Hong Kong. It’s a chance to show the world how creative and talented our young people.

Kev Yiu

Designer and founder of Kev Yiu

Kev Yiu
Kev Yiu

Fashion has always been a personal statement of who you are, rather than trends to be followed. However, with technological advances I can imagine in the near future there’ll be something like a one-button device that can dress you up in any way you can imagine.

As the younger generation has become more open-minded through the information on social media and the internet, there’ll be no more stereotypes. The boundaries are about to be broken. Well, maybe they already have been: men in skirts and other gender-blending concepts are no longer as shocking as they once were.

Justine Lee

Stylist and influencer

Justine Lee
Justine Lee

With the limitations of travel, I feel the city is looking inwards for fashion talent. I still feel there’s room for creativity even with the restrictions we’re under. In Hong Kong, the speed at which we consumed fashion before the protests and Covid-19 was super-fast-paced and, in a way, unsustainable. We’ve slowed down a lot recently and I think consumers, brands and retailers are reprioritising their focus. There’s a greater sense of community and I feel we’re seeing a gradual shift into more conscious consumption.

Faye Tsui

KOL and stylist

Faye Tsui
Faye Tsui

The pandemic led us to adopt a new normal in every way, people are paying more attention to reducing pollution. I’ve noticed people in Hong Kong are changing their buying behaviour – it’s important for local designers
to be environmentally conscious, use sustainable materials, especially packaging, and design in a way that’s more durable. Now, I think Hong Kong has its own unique style. People tend to showcase their own personality and won’t just follow a trend if it doesn’t fit them – this wasn’t the case 20, 10 or even five years ago, when fashionistas were following or copying Japan, Paris or London … Now, we’re unique.

Jacky Tam

Stylist and editorial director at Vogue Man Hong Kong

Jacky Tam
Jacky Tam

The future of fashion is all about being yourself, trusting your own feeling and being honest to yourself. I think freedom defines Hong Kong style. After the past year or so, people are going through major changes, mentally as well, from being fashionable to wearing comfy PJs at home. To me, comfort is in; being pretentious is out.

Dorian Ho

Designer and founder of Dorian Ho

Dorian Ho
Dorian Ho

Nowadays fashion isn’t just about the design, but also how you build and market your brand. Social media have led consumers to adopt and move on from fashion trends quicker than ever before. We must react very quickly, and adjust designs and stock, but also learn to anticipate what the market wants from us. With the development of technology such as AR and VR, I believe the future of fashion is sustainability and technologically innovative design. There’ll be breakthroughs in design and more functional materials to improve the quality of life.

Barney Cheng

Designer and founder of Barney Cheng Couture

Barney Cheng
Barney Cheng

What’s the future of fashion in Hong Kong? Three words: sustainability, awareness and responsibility. I think it’ll be all about customisation, personalisation and interactive creativity next in the local industry. What’s Hong Kong style really? Branded living? My style is extravagant simplicity, always has been, always will be. And what’s next for my brand? I’m a glorified tailor to the discerning few! I’ve been here for 28 years and hope to stay here for at least as long in the future.

Harrison Wong

Designer and founder of Harrison Wong

Harrison Wong
Harrison Wong

What’s the future of fashion? In design, sustainability remains the main issue and concern from my perspective. From a retail perspective, I think successful businesses will become more data-driven. By leveraging data on consumer trends and tastes, brands can create pieces consumers are more likely to buy. AR and VR will increasingly redefine the online and in-store experience. And high-tech will continue to reshape fashion – for example, catwalks will become increasingly virtual and new innovative functional fabrics will appear. Hong Kong-style is unique, because of the diversity of influences and cultures, as well as our dynamic metropolitan environment.

The post What’s On This Month in the World of Art appeared first on Prestige Online - Hong Kong.

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